BuyQualityEssays.com – 100% (GOOD RATED) Musical intervals have a characteristic auralquality

1. Complete the following statement. All musical intervals have a characteristic auralquality. In terms of aural quality, there are two main types of intervals:____________________, which includes all of those intervals that have a generallyagreeable sound to the ear; and ____________________, which have an element oftension about them.2. Complete the following statement. There are three perfect concords—the octave(ratio 2:1), the perfect ____________________ (ratio ____________________), and the perfect ____________________ (ratio ____________________).3. There are four imperfect concords—the ____________________ (ratio 5:4), the minor third (ratio ____________________), the ____________________ (ratio 5:3), and the minor sixth (ratio ____________________).6. Complete the following statement. There are two kinds of third in the majorscale: There is the major third, which has a width of ____________________ semitones, and the minor third, which has a width of ____________________ semitones.8. Complete the following statement. There are two kinds of sixth in the majorscale: There is the major sixth, which has a width of ____________________ semitones, and the minor sixth, which has a width of ____________________ semitones.10. Identify the following intervals, both in terms of their size and whether they are major, minor, or perfect. The second note is always above the first.Notes Interval Notes IntervalC D Major second F C ____________________G B ____________________ C B ____________________D F ____________________ G F ____________________E F ____________________ D B ____________________A G ____________________ A F ____________________B C ____________________ E A ____________________11. List the intervals that belong in these categories:Perfect Concord Imperfect Concord Discorda) _______ a) ______ a)______b) _______ b) ______ b)_____c) _______ c) ______ c)______                   d) _____   d) ______                                    e) ______12. Fill in the missing words. The simplest sonority of all is the _______________,which results from the simultaneous combination of two notes. Combinations ofthree notes are called ____________________, two examples of which are the____________________ triad and the ____________________ triad.13. Fill in the missing words. The major triad has three notes, which are called the____________________, the ____________________, and the _______________.In the case of the major triad, the third is ____________________, while in the case of the minor triad, the third is ____________________.14. Fill in the missing notes to complete the series of triads in C major. Then identify those triads. The first chord has already been named for you:Chord I C E G C majorChord II D _____ _____  _____Chord IIIChord IVChord VChord VIChord VII15. Copy the following notes and fill in the missing whole notes required to complete the following triads.16. Fill in the missing words. The progression from ____________________ triad to tonic triad is called a ____________________ cadence. The __________ triadis built on the first degree of the scale, while the ____________________ triad is built on the ____________________. In the key of C major, the three notes belonging to the tonic triad are therefore ___________,  ____________________, and _____________, while the three notes belonging to the _____________triad are ____________________, ____________________, and ______________.18. In the boxes provided, note all the possible three-chord progressions involving chords I, IV, and V, with each chord appearing only once. Having done so, you will find it very beneficial to play each of these through on your MIDI keyboard or to sequence them and listen to them.19. Compose your own chord progressions in the key of C major involving at least one secondary chord, using the boxes provided to indicate the chord. When you have done so, spend some time either playing through or sequencing each chord progression. Listen carefully for the qualities of each progression and the particular merits of each. The number of chords required is indicated by the number of boxes.
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